Franklin's 2nd Long Stay in Philadelphia Topic 646: Topic 234 : Topic 646 : Blog 4327 : Blog 4318 :
In 1754 Franklin took a noteworthy carriage trip to the Albany Conference, accompanied by fellow delegates Isaac Norris and Proprietor John Penn. He composed the first political cartoon "Join or Die" for that purpose. Notes for the trip on the blank pages of "Poor Richards Almanac", now at Rosenbach Museum. The other delegates rejected the plan, but he never wavered. Blog 4318 : Topic 270 :
Bystanders to the Revolution
It wasn't heroic to everyone.
Revolutionary Philadelphia's Patriots
All kinds of people were patriots in 1776, and many of them were all mixed up about what was going on and how they stood. Hotheads in the London Coffee House stirred up about an inoffensive Tea Act, Scotch-Irish come here to escape the British Crown, the local artisan class and the local smuggler class, unexpectedly prospering under non-importation, and the local gentry -- offended to be denied seats in Parliament like other Englishmen. Pennsylvania wavered until Ben Franklin stepped forward with a plan.
Beaumarchais, Watchmaker at Trenton
How did the French King's Watchmaker and playwright get gunpowder to Trenton?
Right Angle Club 2011
As long as there is anything to say about Philadelphia, the Right Angle Club will search it out, and say it.
Robert Morris: Think Big
Robert Morris wasn't born rich, or especially poor, but he was probably illegitimate. He had no recollection of his mother; his father, a tobacco trader in England, emigrated to Maryland and died rather young. It didn't take long for young Robert to become one of the richest men in America.
|Pierre Augustin Beaumarchais|
Pierre Augustin Beaumarchais, the son of an 18th Century French watchmaker, was born Protestant in a Catholic country. While possibly inclined by this circumstance to be a free thinker, his unusual artfulness was more likely inborn. After revolutionizing watchmaking before he reached the age of twenty, with an escapement mechanism for small portable watches, he rose to social attention when the Royal Watchmaker claimed the invention was his own, and Beaumarchais sued him. Thus gaining Louis XV's notice, Beaumarchais became Royal Watchmaker himself. He was soon giving harp lessons to the ladies of the court, writing plays like The Barber of Seville, and engaging in business schemes with wealthy investors. His career as a court favorite lasted sixteen years, first bringing him considerable wealth, but then sudden ruination by a lurid lawsuit which cost him his fortune. In brief, Beaumarchais had tried to bribe a French judge with less money than his opponent offered, and so spent a few months in prison. After concluding a long, public battle through the appeals courts, he sought a more political role with the new young King, Louis XVI. He was sent to London to pay off a former French Agent, Chevalier D'Eon, who was blackmailing the French government. D'Eon's social connection to John Wilkes, the outspoken critic of the British King, sparked Beaumarchais' initial interest in Whig politics and the American rebellion.
When he arrived in England Beaumarchais found British politics in turmoil; John Wilkes headed a whiggish opposition movement denouncing Royal authority and hosting gatherings of the like-minded, some of which Beaumarchais attended. Fueling these domestic British flames of liberal reform was the recent and increasingly serious rebellion on the other side of the Atlantic. As Beaumarchais spent more time in England discussing the rebellion with Virginian Arthur Lee (who highly exaggerated its strength), he became increasingly convinced it would be a good strategy for France to help the colonists. For all the trouble Arthur Lee ended up causing, he can fairly claim credit for enlisting Beaumarchais to French support for the American cause.
|Charles Gravier, Comte de Vergennes|
Beaumarchais reported his findings to Charles Gravier, Comte de Vergennes, the foreign minister of France. He urged the French government to support the American rebellion, consistently taking the line of French self-interest; after suffering a humiliating defeat in the Seven Year War, France might now undermine England's growing regional power by helping the colonists loosen their affiliation to the rising island empire.
When the young and hesitant Louis XVI finally agreed to take Beaumarchais' advice, it was still unclear whether the American rebellion was a serious movement. The French monarchy was not ready to unsettle its already shaky relationship with England by coming out in public support of untested rebels. To preserve the appearance of neutrality, the French Government loaned Beaumarchais one million lives in June 1776 to start a private trading firm, the Rodriguez Portales Company. This new firm would buy old French military supplies from the French government, then re-sell those supplies to the Americans with return payment of American products, primarily tobacco. Beaumarchais was therefore expected to run a completely self-sustaining operation, free from association with the French government. Rogue and adventurer that he was, Beaumarchais took on this risky challenge with enthusiasm, working tirelessly in France and around Europe to provide the Americans with ammunition, military supplies, and food. His efforts did not go undetected, however. England's ambassador to France, Lord Stormont, grew suspicious of Beaumarchais' frequent trips across the channel and notified the French government of his displeasure. But Beaumarchais simply ignored these protestations.
Matching Beaumarchais' work in establishing Rodrigez and Hortalez, the American Congress sent a covert representative to nurture French support. Silas Deane, sent to France under the disguise of a colonial merchant in July 1776, learned of Beaumarchais' plan to support the American army and at first, the two became fast friends. Unfortunately, this friendship sparked the jealousies of Colonists and Frenchmen alike. Arthur Lee became a particularly vicious opponent of the Beaumarchais/Deane pair, resenting Silas Deane for having been chosen over him as a diplomat to the French, and suspecting Beaumarchais of money laundering. Even when he was later sent in company with Benjamin Franklin to continue negotiations with France, Lee remained suspicious of Deane and Beaumarchais' collaboration. The American mission to France during this period remains famous for strife and factionalism, which was as much a free for all as two-sided animosity. Personal ambition and cultural differences complicated these relationships; no one eventually suffered more because of it than Beaumarchais and Deane.
While Deane negotiated with Beaumarchais, Arthur Lee corresponded with Congress to undermine both Beaumarchais and Silas Deane. Lee was highly suspicious of both men, accusing them of using the privateering scheme for their own profit. The result was a split in Congress between those who supported Lee and those who supported Deane's work with Beaumarchais. The first congress was full of alliances, tempers and faulty information that led to frequent, if not constant, conflict. The Lee brothers were particularly vocal opponents of an alliance with France, and this opposition by a prominent family within the Continental Congress kept French and American relations strained and hesitant.
The first shipment to the colonies by the Rodrigez and Hortalez Company carrying nearly 25,000 pounds of ammunition, was a shaky and often blind operation. Continental Congress never received news of Deane's plans (and request for ships) and remained busy working away at a proposed Declaration of Independence, the publication of which would, with luck, ensure France's official cooperation. Deane was forced to make crucial shipment decisions without the support or approval of Congress. Adding to this instability, the ships were discovered by Lord Stormont right before the first shipment left for the colonies, and the English Ambassador to France quickly protested their sailing to the French government. Vergennes, eager to keep smooth relations with England, particularly in view of the seeming failure of the American cause at that time, officially banned their sailing off the French coast. Fortunately for the Americans, Beaumarchais sent the supplies anyway, which were greeted warmly by colonists in Portsmouth, New Hampshire in early 1777. These supplies helped the colonists win the Battle of Saratoga, the success of which finally convinced the French to emerge in full support of the American Revolution. Beaumarchais continued to supply the Colonists despite England's protests, but privateering increased the threat of war between England and France.
|Barber of Seville|
By September 1777, Beaumarchais had shipped 5 million lives worth of supplies to America without repayment. By 1778 his firm had accrued so much debt that by the end of the war it was in complete ruin. The French government was unwilling to acknowledge its support for Beaumarchais before or after the war, and Silas Deane's entreaties were, unfortunately, not enough to convince Congress that the American colonies owed Beaumarchais for his generous work. Beaumarchais continued his requests for compensation after the war, and Congress continually refused or ignored these requests. Thirty-six years after his death, his heirs were paid back a small fraction of the original debt. Forced to travel to Congress to fight their ancestor's case, his descendants were awarded 800,000 lives of the several million owed. In effect, Beaumarchais nearly single-handedly supplied the American Revolution with arms receiving very little in return except his financial ruin.
It is surprising that a man with so much talent and character should have died in near obscurity; yet Beaumarchais' plays, not his political maneuverings, are what have survived today as part of the standard repertory. When his wildly successful The Barber of Seville premiered in 1775, Beaumarchais was already a well-known playwright and champion of the down-trodden common man. Perhaps he was too great for his own time; The Barber proved more popular when adapted into a libretto by Lorenzo Da Ponte and then later into an opera by Gioachino Rossini in 1814. An independent mind and flamboyant character immortalized his art, but the same characteristics may have brought him, and France, to political and financial ruin.
Originally published: Monday, April 18, 2011; most-recently modified: Tuesday, May 14, 2019