PHILADELPHIA REFLECTIONS
Musings of a Philadelphia Physician who has served the community for six decades

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Art in Philadelphia
The history of art, particularly painting and sculpture, has been a long and distinguished one. If you add in the art schools, the Philadelphia national influence on artists has been a dominant one.

Favorite Reflections
George Ross Fisher III M.D. In no particular order, here are the author's own favorites. filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler filler

Cultural
Culture and Traditions (2)

Philadelphia Women
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French Philadelphia
French Philadelphia

Cecilia Beaux, Portraitist of the Grand Manner

{Cecilia Beaux}
Cecilia Beaux

Cecilia Beaux (1855-1942) was certainly the most famous woman portraitist of her time. She had the misfortune of being a contemporary of Mary Cassatt, who enjoyed the reputation of the finest woman Impressionist at a time when the Art world disdained traditional painting techniques in an Impressionist stampede. So, although these two temperamental artists might never have been chums, much of their famous rivalry was probably invented for them by art world politicians.

In time, the assessment will emerge that these two well-born Philadelphia ladies were each the world's female leaders of two competing schools of art. Comparisons of the two will also have to be filtered through the fact that Cassatt was a rebel who spent most of her life in Paris, while Beaux was a prominent faculty member of the Pennsylvania Academy of Fine Arts for twenty years. Strikingly beautiful herself, she was gifted,elegant and fiercely ambitious. Meow.

{Cecilia Beaux}

Once Beaux had established a reputation as a portrait painter, she shrewdly began to select her subjects. She wanted famous men (Henry James, for example) and beautiful women subjects. She made the mistake of turning down her niece, Catherine Drinker Bowen, because she didn't have the right kind of cheek bones. She learned, of course, that it's unwise to tell a famous author she is ugly.

Robert Louis Stevenson

Cecilia Beaux's main competitor in the portrait game was John Singer Sargent, who was if anything a better painter but a stammering social dud. Sargent remained a life long bachelor, Beaux a spinster. Her mother had died in childbirth, and it seems likely that terror of pregnancy was an important part of her personality, during the pre-antibiotic era when such fear was fairly justified. As a young woman, she turned down proposals by the dozen, and in maturity she had a succession of apparently platonic but intense relationships with handsome men twenty years her junior. During the late Victorian era this sort of thing was not rare, although medical advances have apparently largely eliminated it. To return to her competition with Sargent, the personality differences probably account for his haunting portrait of Robert Louis Stevenson, while Beaux is notable for arresting portraits of rich, famous and beautiful women, and an equal number of well-dressed, handsome men.

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Enjoyed reading your insight on portraitist, Cecilia Beaux. Her talent oozed from her paint brush and leaves one in awe! As Director of Golden Leaf Gallery, I am extremely proud that we have a Cecilia Beaux in our collection. Please come visit: www.goldenleafgallery.org

Carol Anderson
Golden Leaf Gallery
PO Box 1125
Helena, MT 59624
Email: carol@goldenleafgallery.org
Website: www.goldenleafgallery.org
(406) 422-2840
Posted by: Carol Anderson   |   Jul 9, 2008 1:23 PM

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