Paul Robeson 1898-1976

Paul Robeson 1898-1976

Everyone with international fame and fortune seems to belong to another planet, but Paul Robeson belongs to the Philadelphia region as much as to any locality. He was born in Princeton, of a black minister who went to Lincoln University, and a mother of Quaker heritage. Not only an All-American football player, he won twelve varsity letters. He not only was accepted to Columbia Law School, but the only black person in the class became its Valedictorian. Later on, his amazing baritone voice made him the perfect person to sing "Old Man River" in the musical Showboat, and quite a different dimension emerged in his highly memorable portrayal of

Paul Robeson as Othello

Shakespeare's Othello. He was combative athlete, nobody's fool, and had a commanding stage presence. It was scarcely surprising that he resented the social slights he encountered in his upward mobility, or in a time when many people -- not just in show business -- were leaning leftward, that he frightened people with his praise of Communist Russia and seeming incitement of his race to rebellion.

Mc Carthy and Kennedy

Probably the first false note in this tragedy was his resignation from a prestigious New York law firm because a white secretary insulted him. No defensive explanation from his admirers could quite justify this unlikely story of a promising career cast aside for a trifling affront. Some of his foreign travels may have been entirely motivated by a search for social progress, but his several hospitalizations abroad do raise the possibility that he hoped to avoid publicity about his illness. The last two decades of his life were destroyed by undeniable mental illness. There are schools of psychiatric theory which contend that depression can be caused by severe life stresses, but majority opinion now mostly views such illness as an inherited disorder. In any event, he was born too soon. In recent years, the treatment of depression has much improved.

The failure of early promise is an old story, but in Robeson's case it was far more than personal decline, and more the hunting-down of a wounded animal. The son of an ex-slave, Robeson evoked memories of slave rebellions in the past with his mournful song of the Mississippi laborer, as did his vengeful destruction of the innocent Desdemona. His exploiters in the entertainment industry probably deserve some criticism for pushing him too far into a rebel image, and the ruthless manipulation of communist agitators during the 1930s is not a myth. So, there was really not much to prevent Senator Joseph McCarthy and his associates Cohn, Shine and Kennedy from converting the post-war fears of the nation into a circus of fearful demagoguery. Millions of people had just died in foreign wars, nations had been reduced to rubble, and vengeful heedlessness was on every side. It was not a pleasant time.

More than twenty years later, Paul Robeson died where he had been living with his sister, in West Philadelphia.

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