To Germantown, a Short Appreciation
Seven miles from the heart of Philadelphia, Germantown was once a separate town, the cultural center of Germans in America. Revolutionary battles were fought here, it was briefly the capital of the United States, and it still has an outstanding collection of schools and colleges.
Quakers never cared much for music, but the city has nonetheless musically flourished into international fame. At the same time, quarrels and internal battles have also been world class.
Culture and Traditions (2)
|academy of music|
The histories of the Academy of Music and the Philadelphia Orchestra are distinct but intertwined. At the moment, the Orchestra owns the Academy, but it was not always so. The Academy of Music of Philadelphia was built in 1857, but the Philadelphia Orchestra was not founded until 1900, just for instance.
It is undeniable however that Philadelphia orchestral music began its present direction with the German immigration wave of 1848, bringing with it the new musical concepts of Felix Mendelssohn. Except for the wedding march which has sent innumerable brides down the aisle, most people now have a little trouble naming a piece of music written by this composer, but in fact he produced twenty to fifty pieces a year from 1820 to 1847. In terms of pure virtuosity, Mendelssohn was probably the most prolific and gifted composer after Mozart. His lack of really notable productions has sometimes been attributed to his wealthy childhood and too-easy success, but in his day he was nonetheless a musical revolutionary with an enormous following.
One of the orchestras in the Mendelssohn tradition was the Germania Orchestra which moved to Philadelphia but had trouble getting accepted, and disbanded. The members of the orchestra scattered and eventually reformed a Philadelphia Germania Orchestra, which largely took over the place and some of the members of the disbanded Musical Fund Orchestra, struggled for a few years, became part of Henry G. Thunder's Orchestra, which in turn was almost entirely taken over by Fritz Scheel's Philadelphia Orchestra. Even with this thoroughly local name, the Orchestra struggled for a few years, and would quite likely have dissolved into still other formulations, until the local Women's Committee took matters in hand. Leadership was provided by Fanny Wister, sister of Owen Wister the novelist, and granddaughter of Fanny Kemble. From that time on, particularly from the day of the hiring of Leopold Stokowski as conductor, the Philadelphia Orchestra has pressed forward, and never looked back.